Two takes on justice between the living and the dead. For Black poet June Jordan, a rattling grocery cart and tic-inducing appearance induces horror in the living, while “the dead do not give a damn.” For Iraqi poet and prose-author Sinan Antoon, the horror emerges because the living do not give a damn — not even when facing their victims’ ghosts. Two great pieces of literature to put together for discussion… yalla, talk!
From the Memoirs of a Ghost
by Sinan Antoon, translated by Marwan on Angry Arab News Service ; Arabic on Kikah
When I died and was on my way to the cemetery, I was told that my life, as a ghost, would be wonderful and it would make up for the misery that I went through before death.
“You will sleep the whole day in a comfortable tomb where you can toss and turn all you want. You will avoid the traffic, transportation and the daily misery. You will wake up at night and roam freely in your city without being stopped or asked to show your ID by anybody. You can cross the street whenever you want and you will not be hit by a car. You can violate all the laws and travel to any country without a visa. You’ll never be hungry or thirsty and you will not feel cold or hot. Nobody will kill you, because you’re dead. And you will be able, if you desire, and most importantly, to finally take revenge on your enemies. Your mere sight will deprive them of their sleep. Those are the ones who oppressed you and stole your hard-earned living and killed you and your children. You will indulge in torturing them as you please and turning their nights into hell. You will enter their homes and wreak havoc. You can scare their children at night so they wet their beds. You will be the master and will see them, all of them, kneeling in front of you like dogs, or running to a psychiatrist without telling anyone they saw you for fear of being accused of insanity. All the prescriptions and pills they will take will be useless. And you will return before each dawn to your grave ecstatic with your might, humming your favorite song and planning your next night. “
For years, I’ve been lingering in the streets of my city every night. Nobody sees me and nobody is scared of me; not even children. Those who killed me have multiplied their wealth and grown their bellies. I get lost sometimes in their large homes, but I often find them celebrating around their lush tables, and their nights are replete with laughter. They do not care about me passing by or staying. I stand at their beds and scream with all my strength in their ears but I only hear their snoring get louder. Their dogs are the only ones who salute me, sometimes with a bark or a wag of the tail, when I leave in the early morning hours, disappointed with my failure.
The grave is much narrower than I imagined. I haven’t slept for over a year. My neighbor advised me to consult a psychiatrist. He said that he was, like me, suffering a lot during the first years. Then he accepted the status quo, that we’ve been deceived twice. I will see the doctor tomorrow.
I Must Become a Menace to My Enemies
by June Jordan, Dedicated to the Poet Agostinho Neto, President of
The People’s Republic of Angola: 1976
I will no longer lightly walk behind
a one of you who fear me:
Be afraid.
I plan to give you reasons for your jumpy fits and facial tics
I will not walk politely on the pavements anymore
and this is dedicated in particular
to those who hear my footsteps
or the insubstantial rattling of my grocery
cart
then turn around
see me
and hurry on
away from this impressive terror I must be:
I plan to blossom bloody on an afternoon
surrounded by my comrades singing
terrible revenge in merciless
accelerating
rhythms
But
I have watched a blind man studying his face.
I have set the table in the evening and sat down
to eat the news.
Regularly
I have gone to sleep.
There is no one to forgive me.
The dead do not give a damn.
I live like a lover
who drops her dime into the phone
just as the subway shakes into the station
wasting her message
cancelling the question of her call:
fulminating or forgetful but late
and always after the fact that could save or
condemn me
I must become the action of my fate.
II
How many of my brothers and my sisters
will they kill
before I teach myself
retaliation?
Shall we pick a number?
South Africa for instance:
do we agree that more than ten thousand
in less than a year but that less than
five thousand slaughtered in more than six
months will
WHAT IS THE MATTER WITH ME?
I must become a menace to my enemies.
III
And if I
if I ever let you slide
who should be extirpated from my universe
who should be cauterized from earth
completely
(lawandorder jerkoffs of the first the
terrorist degree)
then let my body fail my soul
in its bedevilled lecheries
And if I
if I ever let love go
because the hatred and the whisperings
become a phantom dictate I o-
bey in lieu of impulse and realities
(the blossoming flamingos of my
wild mimosa trees)
then let love freeze me
out.
I must become
I must become a menace to my enemies.
Source: Trouble the Water (325-327) via Chicken Bones
Related posts:
- Sinan Antoon Breaks it Down on Charlie Rose
- A Nice Thing About Jordan
- Jordan Seeks Nuclear Power. Israelis Crap pants.
- Jordan Bombings
- How’s that ceasefire going?















Sinan Antoon is a genius. I love his writing… such a great sense of irony fueled by anguish.
The second last paragraph of June's poem ("And If I / if I ever let love go…") was quite memorable.
Posted by Won | December 11, 2009, 9:40 amJune is interested in this life and not in after life, she says she is not in the business of making others comfortable by disappearing parts of herself. She is interested in the earthly world, this one, this history her own body lives. She says she will do this even if it gets her no where, even if it does not work she spends her living life a constant reminder to those who dare to “kill” her brothers and sisters, that people fight back. She calls even if there is no one listening on the other end she takes it upon herself to do these things in life. I think It shows great courage and responsibility for the livelihoods of those she loves. She will die knowing she did everything she could to confront the system that has kept her and her loved ones counted as less valuable. She says I will call you out on your shit every time. She says,
“I live like a lover
who drops her dime into the phone
just as the subway shakes into the station
wasting her message
canceling the question of her call [...]
if I ever let you slide
who should be extirpated from my universe
who should be cauterized from earth
completely
(lawandorder jerkoffs of the first the
terrorist degree)
then let my body fail my soul”
For June it is her body that works on behalf of her soul. She will not be quiet for anyone’s sake not even her own. She says if you kill me well then so be it, my life is expendable if it is not lived free and fierce.
For Sinan Antoon it is his soul that works on behalf of the memory of his body and the bodies of those he loved. Antoon makes me sad and is perhaps closer to my immediate reality where is seems like free will and choice non-existent in our living lives. His point is profound in that in oppressing and Those who killed…[him]” in order to “multiplied their wealth and grown their bellies.” In the end they have done more damage on themselves then they have on him. His indignation is present, his memory and his ghost will haunt his oppressor’s comfortable lives forever. However, the question I leave with after reading Antoon is why does he wait to die to begin his fight? Perhaps the constraints are so harsh he could not fight in this life, I guess I just have trouble with the idea that one's body is more powerful dead than alive. That those of us who have been wronged are more present in death than in life. It makes the wronged docile and shifts the focus towards the psychological well being of the oppressor.
(just some early morning thoughts) thanks for the discussion question!
Posted by Dina | December 15, 2009, 2:58 pmbrilliant, of course, Yaman.
Posted by Sirene | December 16, 2009, 6:45 pm